Shana’s a fine artist with a global reach: her paintings have appeared on the covers of Time Magazine and the Evening Standard. My curiosity for her began with what that actually meant. What happens when you succeed with your work so much so that it is amplified beyond the horizon of our ability to see the effects of our own actions? Furthermore, where or what exactly is she touching when she paints? Where does the brushstroke land? Shana was a wonderful, easy interview subject and we quickly got to the heart of the matter.
